Contemporary Spain through the Eye of the Movie Camera (taught in Spanish)
The course offers a general approach to Spanish contemporary culture and history from the postwar period until now through its cinematographic self-representation. The selection of movies analyzed in the classes intends to be representative of recent Spanish history and cover the main social, political, economic and cultural aspects of country’s reality. In the same way, this selection tries to attend to the variety of the Spanish cinema over that period, integrating both auteur and commercial or genre films. Our methodological approach is based on the multidisciplinary perspective of comparative and intermedia studies that focus on visual culture. This kind of approach permits a deeper and comprehensive understanding of the contemporary world and has become indispensable in the field of Humanities and Communication studies. Our main learning goal in this course is to analyze, review and criticize the role that these cinematographic representations have had in the construction of identity, contrasting them with the personal experience of foreign and national students, to offer a more inclusive, extensive and complex vision of the Spanish cultural diversity.
Courses generally have little or no prerequisite knowledge required for a given topic, however if students face any doubts, we recommend they contact course professors to clarify.
Week | Contents | Teaching/learning activities |
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1 |
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Lectures Film projections, analyses and debates |
2 |
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Lectures Film projections, analyses and debates |
3 |
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Lectures Film projections, analyses and debates
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From Monday to Friday
From 9 a.m to 12:30 p.m
Evaluation consists of three sections: lecture attendance (30%), participation and discussion in the debates (30%), work in group of 3/5 students about an aspect of Spanish contemporary history (40%).
Bibliografía sobre Historia de España
- Biescas, José Antonio; Tuñón de Lara, Manuel (1980), España bajo la dictadura franquista (1939-1975). Barcelona: Labor.
- Carr, Raymond (2006), España 1808-1939. Barcelona: Ariel.
- Fontana, Josep; Villares, Ramón, ed. (2007-2013), Historia de España, vol. 9: La dictadura de Franco (Borja de Riquer); vol. 10: España en democracia, 1975-2011 (Xosé M. Núñez Seixas). Barcelona: Crítica/Marcial Pons.
- Fusi, Juan Pablo, España, 1808-1996: el desafío de la modernidad (1998). Madrid: Espasa Calpe.
- García de Cortázar, Fernando, González Vesga, José Manuel (2017), Breve historia de España. Madrid: Alianza.
- García de Cortázar, Fernando (2009), El franquismo, 1939-1975. Madrid: Anaya.
- García de Cortázar, Fernando (2011). Leer España: una historia literaria de país. Barcelona: Planeta.
- García de Cortázar, Fernando (2007). Historia de España desde el arte. Barcelona: Planeta.
- Preston, Paul (1994), Franco: caudillo de España. Barcelona: Grijalbo.
- Preston, Paul (2003), Juan Carlos: el rey de un pueblo. Barcelona: Plaza & Janés.
- Powell, Charles (2001), España en democracia: 1975-2000. Barcelona: Plaza & Janés.
- Temime, Émile; Broder, Albert; Chastagnaret, Gérard (1982), Historia de la España contemporánea: desde 1808 hasta nuestros días. Barcelona: Ariel.
- Tusell, Javier, ed. (1990), Manual de Historia de España, vol. 6: Siglo XX (Javier Tusell). Madrid: Historia 16.
- Tusell, Javier (et al.), ed. (1995), Historia de la transición y consolidación democrática en España, 1975-1986, Madrid: Universidad Autónoma de Madrid.
- Tusell, Javier (2000), Historia de España en el siglo XX. Madrid: Santillana/Taurus.
Recursos audiovisuales sobre Historia de España
- Memoria de España (DVD) (2005), cap. 25: Franco, Franco, Franco; cap. 26: España en libertad, 1976-2005. Valladolid: Divisa.
Bibliografía sobre cine español
- Benet, Vicente J. (2012). El cine español: Una historia cultural. Barcelona: Paidós.
- Borau, José Luis (1998). Diccionario de cine español. Madrid: SGAE.
- Casares Rodicio, Emilio (2011). Diccionario del cine iberoamericano: España, Portugal y América. Madrid: SGAE.
- Castro de Paz, José Luis, Pena Pérez, Jaime (2005). Cine español: otro trayecto histórico: nuevos puntos de vista: una aproximación sintética. Valencia: Ediciones de la Filmoteca.
- Castro de la Paz, José Luis, Pérez Perucha, Julio, Zunzunegui, Santos eds. (2005), La nueva memoria: historia(s) del cine español (1939-2000). A Coruña: Vía Láctea.
- Català, Josep Maria, Cerdán, Josetxo, Torreiro, Casimiro (2001). Imagen, memoria y fascinación: Notas sobre el documental en España. Madrid: Ocho y medio.
- Cerdán, Josetxo y Torreiro, Casimiro eds. (2007). Al otro lado de la ficción: trece documentalistas españoles contemporáneos. Madrid: Cátedra.
- Gubern, Román, Monterde, José Enrique, Pérez Perucha, Julio, Riambau, Esteve, Torreiro, Casimiro (2009). Historia del cine español. Madrid: Catedra.
- Gubern, Román, Font, Domènec (1975). Un cine para el cadalso: 40 años de censura cinematográfica en España. Barcelona: Euros.
- Heredero, Carlos (1999). 20 nuevos directores del cine español. Madrid: Alianza.
- Monterde, José Enrique (1993). Veinte años de cine español: Un cine bajo la paradoja (1973-1992). Barcelona: Paidós.
- Pérez Perucha, Julio ed. (1998). Antología critica del cine español. Madrid: Cátedra.
- Zunzunegui, Santos (2018). Historias de España: De qué hablamos cuando hablamos de cine español. Santander: Shangrila.
Recursos audiovisuales sobre cine español
- Del éxtasis al arrebato: 50 años del otro cine español (DVD) (2009). Barcelona: Cameo.
- ¡Qué grande es el cine español! (programa de TV):
- Versión española (programa de TV).
Rosa Gutiérrez Herranz (Santander, 1971) has been a professor in the Department of Art and Musicology at the Universitat Autònoma de Barcelona (UAB) since 2005. She teaches courses in contemporary art and in film history and theory, with a specialization in visual culture studies. She has participated in numerous courses, screenings, conferences, and symposia on art and cinema, and has organized the seminar Cinema and its Double: Narrative, Document, Representation, which proposed a multidisciplinary approach to the humanities. As a curator, she has overseen several exhibitions, including The Bet for New Art: Avant-Garde Itineraries in Catalonia through the RMTST Collection (Museu d’Història de Girona, 2022-23), Dialogues: Eduard Bigas Reencounters Modest Cuixart (Fundació Modest Cuixart, 2023), Lluís Lleó: Pittore (Museo de Arte Contemporáneo de Vigo, 2023), and Tying Time: Dialogues between the RMTST Collection and the Museo Patio Herreriano Collections (Museo Patio Herreriano de Valladolid, 2024). Her most recent publications include co-editing the book Cinema and its Double: Narrative, Document, Representation (Shangrila, 2019), From Scipio to Berlusconi: A History of Italy in 50 Films (2019), with Ludovico Longhi and Valerio Carando, and The Rafael and Maria Teresa Santos Torroella Collection (2023), with Jaume Vidal.
- E-mail: MariaRosa.Gutierrez@uab.cat
Ludovico Longhi (Padua, Italy; 1967) is an associate professor in the Department of Audiovisual Communication at the UAB, where, since 2000, he has taught courses on screenwriting theory and practice, as well as film history and theory. Since 2004, he has organized film screenings and practical workshops on fictional cinema, with a particular focus on popular genres. In 2005, he contributed to the writing of the volume On New Italian Cinema. In October 2011, he earned a PhD in Audiovisual Communication from the Universitat Autònoma de Barcelona with his dissertation Cultural Roots of the Comedy of Alberto Sordi: A Biographical Approach (supervised by Professors Roman Gubern and Josep M. Català). His recent research focuses on film noir and its Italian legacy: giallo and crime cinema. He has been part of the research groups ECME (studying the reception and assimilation of cinematic modernity in Spain) and PCE (Spanish cinematic thought), both directed by Jose Enrique Monterde.
- E-mail: Ludovico.Longhi@uab.cat
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