Contemporary Italy through the Eye of the Movie Camera (taught in Spanish)
The course offers a general approach to Italian contemporary culture and history from the Unification until now through its cinematographic self-representation. The selection of movies analyzed in the classes intends to be representative of recent Italian history and cover the main social, political, economic and cultural aspects of country’s reality. In the same way, this selection tries to attend to the variety of the Italian cinema over that period, integrating both auteur and commercial or genre films. Our methodological approach is based on the multidisciplinary perspective of comparative and intermedia studies that focus on visual culture. This kind of approach permits a deeper and comprehensive understanding of the contemporary world and has become indispensable in the field of Humanities and Communication studies. Our main learning goal in this course is to analyze, review and criticize the role that these cinematographic representations have had in the construction of identity, contrasting them with the personal experience of foreign and national students, to offer a more inclusive, extensive and complex vision of the Italian cultural diversity.
Courses generally have little or no prerequisite knowledge required for a given topic, however if students face any doubts, we recommend they contact course professors to clarify.
Week | Contents | Teaching/learning activities |
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1 |
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Lectures Film projections, analyses and debates |
2 |
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Lectures Film projections, analyses and debates
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3 |
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Lectures Film projections, analyses and debates |
From Monday to Friday.
From 9:00 a.m to 12:30 p.m
Evaluation consists in three sections: lecture attendance (30%), participation and discussion in the debates (30%), work in group of 3/5 students about an aspect of Italian contemporary history (40%).
Bibliografía sobre historia contemporánea de Italia
- BALDOLI, Claudia (2009): A History of Italy. Basingstoke, Palgrave Macmillan.
- CLARK, Martin (1996): Modern Italy, 1871-1995. London, Longman.
- DUGGAN, Christopher (2016): Historia de Italia. Madrid, Akal.
- GINSBORG, Paul (2006): Storia d’Italia dal dopoguerra a oggi. Torino, Einaudi.
- HEARDER, Harry (2003): Breve historia de Italia. Madrid, Allianza.
- RE, Matteo (2007): La Italia actual: evolución histórica y cultural de 1945 a nuestros días. Madrid, Instituto Italiano di Cultura/Universitas.
- SABBATUCCI, Giovanni; VIDOTTO, Vittorio (2009): Storia contemporanea. L’Ottocento. Roma-Bari, Laterza.
- SABBATUCCI, Giovanni y VIDOTTO, Vittorio (2008): Storia contemporanea. Il novecento. Roma-Bari, Laterza.
- SCALMANI, Davide (2016): Historia de Italia. Madrid, Sílex.
- SMITH, Denis Mack (2011): Storia d’Italia dal 1861 a oggi. Roma-Bari, Laterza.
- VV.AA. (1998): Storia d’Italia (14 vols.). Torino, Einaudi.
Bibliografía sobre cine italiano
- BRUNETTA, Gian Piero (2003): Guida alla storia del cinema italiano: 1905-2003. Torino, Einaudi.
- CARANDO, Valerio; GUTIÉRREZ HERRANZ, Rosa; LONGHI, Ludovico (2019): De Escipión a Berlusconi. Una historia de Italia en 50 películas. Barcelona, UOC.
- BARROSO, Miguel Ángel (2008): Las cien mejores películas italianas de la historia del cine. Madrid, Cacitel.
- MICCICHÈ, Lino (1989): El cine italiano de los años sesenta. Bilbao, Festival Internacional de Cine-Bilbao Documental y Cortometraje.
- MONTERDE, José Enrique (ed.) (2005): En torno al nuevo cine italiano. Los años 60: realismo y poesía. Valencia, Institut Valencià de Cinematografia.
- QUINTANA, Àngel (2005): El cine italiano 1942-1961: del neorrealismo a la modernidad. Barcelona, Paidós.
- RIPALDA, Marcos (2005): El neorrealismo en el cine italiano. De Visconti a Fellini. Madrid, EIUNSA.
- SCHIFANO, Laurence (1997): El cine italiano 1945-1995: crisis y creación. Madrid, Acento.
- TIRRI, Néstor (2006): Habíamos amado tanto a Cinecittà: ensayos sobre el cine italiano. Barcelona, Paidós.
- TORRES, Augusto M. (1994): El cine italiano en 100 películas. Madrid, Alianza Editorial
- VV.AA. (1985): El Cine italiano de los años 80. Roma, Ministero del Turismo e dello Spettacolo/Ente Autonomo Gestione Cinema.
Recursos audiovisuales sobre cine italiano
SCORSESE, Martin (2009): El cine italiano según Scorsese. Valladolid, Divisa (DVD).
Rosa Gutiérrez Herranz (Santander, 1971) has been a professor in the Department of Art and Musicology at the Universitat Autònoma de Barcelona (UAB) since 2005. She teaches courses in contemporary art and in film history and theory, with a specialization in visual culture studies. She has participated in numerous courses, screenings, conferences, and symposia on art and cinema, and has organized the seminar Cinema and its Double: Narrative, Document, Representation, which proposed a multidisciplinary approach to the humanities. As a curator, she has overseen several exhibitions, including The Bet for New Art: Avant-Garde Itineraries in Catalonia through the RMTST Collection (Museu d’Història de Girona, 2022-23), Dialogues: Eduard Bigas Reencounters Modest Cuixart (Fundació Modest Cuixart, 2023), Lluís Lleó: Pittore (Museo de Arte Contemporáneo de Vigo, 2023), and Tying Time: Dialogues between the RMTST Collection and the Museo Patio Herreriano Collections (Museo Patio Herreriano de Valladolid, 2024). Her most recent publications include co-editing the book Cinema and its Double: Narrative, Document, Representation (Shangrila, 2019), From Scipio to Berlusconi: A History of Italy in 50 Films (2019), with Ludovico Longhi and Valerio Carando, and The Rafael and Maria Teresa Santos Torroella Collection (2023), with Jaume Vidal.
- E-mail: MariaRosa.Gutierrez@uab.cat
Ludovico Longhi (Padua, Italy; 1967) is an associate professor in the Department of Audiovisual Communication at the UAB, where, since 2000, he has taught courses on screenwriting theory and practice, as well as film history and theory. Since 2004, he has organized film screenings and practical workshops on fictional cinema, with a particular focus on popular genres. In 2005, he contributed to the writing of the volume On New Italian Cinema. In October 2011, he earned a PhD in Audiovisual Communication from the Universitat Autònoma de Barcelona with his dissertation Cultural Roots of the Comedy of Alberto Sordi: A Biographical Approach (supervised by Professors Roman Gubern and Josep M. Català). His recent research focuses on film noir and its Italian legacy: giallo and crime cinema. He has been part of the research groups ECME (studying the reception and assimilation of cinematic modernity in Spain) and PCE (Spanish cinematic thought), both directed by Jose Enrique Monterde.
- E-mail: Ludovico.Longhi@uab.cat
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